Hi, my name is Ite Lemalu, I am from Auckland, New Zealand, and I grew up watching wrestling from the late 1980s. My favourite wrestlers growing up were Greg Valentine, Bret Hart, and Jake Roberts. When I first started watching wrestling (WWF Superstars of Wrestling); I was drawn to the gimmicks and the interviews where the wrestlers would drop their iconic catchphrases, and I enjoyed watching wrestlers like Randy Savage and Jimmy Snuka fly off the top rope. But then I began to notice how certain wrestlers took pleasure in making their moves painful for their opponents which is why I enjoyed watching Greg Valentine ‘break’ his opponent’s legs. Anyway, I watched wrestling through primary school, high school and even at university when I would go back to my flat regardless of time of day to watch WCW. I don’t watch WWF/WWE as intensely as I used to. I still keep tabs on what’s happening, my wrestling viewing is now devoted to Impact Wrestling and MLW Fusion. I have all of my wrestling from the 20th century backed up, and as long as I have that, I’m good.
Every so often I would watch WWF or WCW, and although I grew up watching the WWF, there is still a lot of material that I have still yet to see. In this case, I was in the mood to watch something that I’ve seen before: WCW’s Halloween Havoc 1997. The usual WCW per-per-view in the middle of the 90s featured an A list of names that headlined the events, the A-listers were supported by a youthful and talented group of wrestlers, most of whom were smaller in size to their established ‘elders’ and had wrestled extensively outside of the States prior to being lured to WCW for lucrative deals. These young lions of the 90s never failed to deliver a fantastic undercard. These pre-main event matches produced wrestling styles that were rarely seen by the mainstream audience.
My favourite match from Halloween Havoc is the Rey Misterio Jr. vs. Eddie Guerrero: Mask vs. (Cruiserweight) Title match. Usually when I watch my favourite matches I’d pick up a detail that I probably hadn’t noticed before, and I did find something new and significant regarding this classic match. When I first saw Rey/Eddie 20 years ago, the Lucha libre genre was still fresh to mainstream wrestling, and although the WCW Cruiserweight Division was over a year in existence, only a top few Lucha Libre stars were slotted in one featured singles match at every pay-per-view. As more Lucha libre stars were brought into WCW, the fans’ awareness of the culture grew as they learned about the traditions and the extravagant theatrics. To ensure that the viewers watching at home understood the Lucha libre culture, WCW announcer Mike Tenay – an enthusiast in Lucha libre (and Japanese “Puroseru” wrestling) would sit in during the Cruiserweight matches and supply the viewers with stories about the wrestlers, the Lucha customs, Spanish or Japanese translation of holds, and the family lineage of the wrestlers – most of whom had fathers, uncles or grandfathers who wrestled. The use of Tenay’s valuable commentary gave the fans a back story to each Lucha star and this helped to integrate the Lucha wrestlers into the WCW product.
There were already some high profiled bouts for the Cruiserweight Titles shown on pay-per-view before the Rey/Eddie of Havoc ’97: Rey Misterio. Jr/Dean Malenko from Halloween Havoc ’96, Dean Malenko/Ultimo Cruiserweight/J Crown Unification from Starrcade ’96, Chris Jericho/Ultimo from Bash at the Beach ’97. I believe that Rey/Eddie – Havoc ‘97 is what made the Cruiserweight Division an influential part of the US wrestling scene, and even if it were by accident, WCW found the perfect hero and villain to sell the genre to the mainstream fans. Rey/Eddie was the first major storyline of this division that gave the fans a reason to invest in the Cruiserweights: As the match is taking place, Eddie Guerrero’s change of attitude is supported by Mike Tenay’s endorsement when he speaks in detail about Eddie’s past as one half of the notorious Los Gringos Locos tag team. Tenay adds fuel to the fire; highlighting previous accounts of Eddie desecrating the Lucha libre tradition of the mask while in the match Eddie is pulling away at Rey’s mask. Rey Misterio .Jr is given an equally glowing retrospect as Tenay explains that Rey had wrestled under a different name for three years before earning the Rey Misterio identity that was handed down to him by his uncle Rey Misterio .Sr. Tenay adds that Rey has successfully defended his mask in nine other matches, making this defense against Eddie, his tenth. Rey’s gear and mask have been altered for this specific event; he appears in a full body suit with his mask is attached to it. The suit is inspired to resemble the Phantom superhero, and before he starts the match, Rey gives a replica mask to a fan sitting at ringside. This indicates the Americanising of Rey and other Lucha stars and WCW beginning to capitalise off the popularity of Rey and his Lucha peers through marketing and merchandise. Of the overall Halloween Havoc event, Rey/Eddie was of three Cruiserweight matches on the card (matches were slotted, one after the other with Rey/Eddie going third); this again supports that WCW was taking the necessary steps to push the Cruiserweights.
It’s from these details that I find that Rey/Eddie from Halloween Havoc ’97 elevated the Cruiserweight Division and changed the American wrestling scene. This match also surpassed the reputable Ultimo/Malenko unification. Although Ultimo/Malenko gave the Cruiserweights some credibility, it did not accomplish near to Rey/Eddie for the reason that Ultimo/Malenko lacked a definitive hero or villain, or that Malenko wasn’t a strong enough hero; this led to a lack of emotion from the crowd. By default Malenko being American had the home crowd, unfortunately, the audience was confused as to who they should fully support. That atmosphere felt like a very competitive and interesting exhibition. Malenko/Ultimo contributed a respectable international flavour, however, the placing of this match seemed like a “cut and paste”, as if Malenko/Ultimo was not a WCW match, but an import from New Japan Pro Wrestling. Basically, the match felt it did not belong to WCW. Rey/Eddie from Haloween Havoc was blended in as part of the WCW presentation. It had a genuine hero and villain and it supported Eddie’s actions; his malicious efforts end Rey Misterio Jr.’s career and desecrate the sacredness of the mask, thank you Mike Tenay.
Two months prior to Starrcade ’96, the first Cruiserweight Title defence on pay-per-view was at Halloween Havoc ’96, the challenging antagonist Malenko against the heroic champion, Rey Misterio .Jr. This, a brilliant story explored Reys perspective where he faced the difficult task of fending off Malenko who was a well-schooled mat based technician and a superior wrestler to Rey. Even with Malenko disrespecting Rey’s mask and winning the Cruiserweight belt, their matches together weren’t as memorable. Dean and Rey were an odd pair and for the good of the division, they would have been better off wrestling other opponents that complimented their respective methods. Dean was a tremendous wrestler, though he did not possess the charisma to match his impeccable grappling skills. Dean was also regarded as a ‘must’ for the Cruiserweight gold, as well as Eddie and Chris Jericho, however it didn’t help the Cruiserweight Division when these three began floating in between the United States, Television and Cruiserweight belts.
In some weird analogy; I see parallels between Rey and Malenko to Hulk Hogan and Bob Backlund. Backlund was a magnificent wrestler and champion while Hogan gave the WWF the charisma and the electricity to go nationwide and mainstream. Respectfully, Malenko paved a necessary path for the Cruiserweight Division, and Rey Misterio … more specifically the Rey Misterio Jr/Eddie Guerrero classic from Halloween Havoc 1997 was what elevated the Cruiserweight Division. I would even suggest that this match may have turned the Cruiserweight Division into a sought-after genre with fans and wrestlers who have competed in similar styles throughout the last 20 years.
That’s me for now, will see you again.